Tintoretto Filbert Brush Avorio Synthetic Fiber Series 638, Size- 4
The Tintoretto Series 638,is a line of filbert brushes made with high quality ivory synthetic fibers.
It is perfect for creating rounded edges and blending, curved strokes, smooth soft blending and controlled detailing.
It is perfect use for oil & acrylic painting.
Tintoretto Ivory Synthetic Fiber Flat Brush Series 636, Size- 6
Ideal for detailed work, fine lines and smooth application.
Suitable for various painting techniques and suitable for different types of paint.
Series 636, is high quality ivory synthetic fibers is strong, elastic and holds its shape well.
The Tintoretto has also expanded into the cosmetics sector, providing brushes for makeup, nails and skincare.
Tintoretto Setola Extra Bristles Filbert Brush Series 294,Size- 1
It is suitable for Oil, Acrylic, and liquid charcoal.
Series 295,Filbert brush allows for a variety of strokes, including blending and detailed work.
These brushes feature a nickel plated brass ferrule and a long birch handle wooden, transparent varnished with black tip.
These brushes are handmade in Tuscany with a focus on precision and durability.
These brushes are best use for oil, acrylic, & gouache painting.
The natural bristles and long handle are also a good fit for impressionistic styles, where bold ,expressive strokes are common.
These brushes are handmade in Tuscany with a focus on precision and durability.
It is Nickle plated brass ferrule brush.
It is long wooden handle ,transparent varnished with black tip.
Size: 22
Shape: Flat Brush
Handle: Long
Bristle: Natural bristles.
Made in Italy
These brushes are best use for oil & acrylic painting.
The natural bristles and long handle are also a good fit for impressionistic styles, where bold ,expressive strokes are common.
These brushes are handmade in Tuscany with a focus on precision and durability.
It is Nickle plated brass ferrule brush.
It is long wooden handle ,transparent varnished with black tip.
Size: 8
Shape: Round Brush
Handle: Long Birch Wooden
Bristle: Extra bristles.
Made in Italy
Tintoretto Setola Extra Bristles Filbert Brush Series 294,Size- 0
It is suitable for Oil, Acrylic, and liquid charcoal.
Series 295,Filbert brush allows for a variety of strokes, including blending and detailed work.
These brushes feature a nickel plated brass ferrule and a long birch handle wooden, transparent varnished with black tip.
These brushes are handmade in Tuscany with a focus on precision and durability.
Bristol sheet 250gsm 50″X65″cm
* CARTA-PAPER-PAPIER
*SUPERFICIAL -SURFACE
*LISCIO- SMOOTH- LISSE
*FORMATO-SIZE FORMAT 50″X65″cm
* (pack of 10 sheet)
* FOGLI-SHEETS-FEUILLES
Product Features
Studio Paper Pad
20 Sheets
140 lbs (300gsm)
30 x 40 cm
cold press
acid-free
high cotton content
internally and externally sized
Quality High
Recommended for Ink, Artistic Prints, All Wet Techniques
Weight 300 g/mq
Money Fine
Number of Sheets 20
Paper Composition 25% Cotton – 75% Cellulose
Binding 4 sides siding
Acid Free And
Which grammage of paper is best suited for watercolour painting?
The choice of GSM / grammage / thickness of paper for a particular painting depends upon the nature of work.
Watercolour work is best done on 300 GSM paper. Any paper when wet will buckle due to its inherent nature. Hence it is advisable to tape it on a board before starting to paint. This will reduce buckling.
Products like Handy Block 300 GSM can be used to avoid the taping process.
Higher GSM papers (450 and 640 GSM) have their own charm to work with watercolour as well as acrylic medium.
Which grammage of paper is best suited for watercolour painting?
The choice of GSM / grammage / thickness of paper for a particular painting depends upon the nature of work.
Watercolour work is best done on 300 GSM paper. Any paper when wet will buckle due to its inherent nature. Hence it is advisable to tape it on a board before starting to paint. This will reduce buckling.
Products like Handy Block 300 GSM can be used to avoid the taping process.
Higher GSM papers (450 and 640 GSM) have their own charm to work with watercolour as well as acrylic medium.
Maestriaa Wiro Pad is made from 100% cotton rag, is acid free and buffered with adequate calcium reserve to protect it from atmospheric acid migration in to the paper.
Application: Watercolour, Wash, Wet & Wet, acrylic (before applying acrylic, please coat with texture white), Mixed-media.
Our Hot Press paper can also be used for Pen & Ink, Pencil & Charcoal, Markers, Calligraphy and Mixed-media.
Maestriaa Wiro Pad is made from 100% cotton rag, is acid free and buffered with adequate calcium reserve to protect it from atmospheric acid migration in to the paper.
Application: Watercolour, Wash, Wet & Wet, acrylic (before applying acrylic, please coat with texture white), Mixed-media.
Our Hot Press paper can also be used for Pen & Ink, Pencil & Charcoal, Markers, Calligraphy and Mixed-media.
