Home » Shop » Daniel Smith Watercolor 15 ml Tube -Jaune Brilliant No.1
Daniel Smith Watercolor 15 ml Tube -Jaune Brilliant No.1
Daniel Smith Watercolor 15 ml Tube -Jaune Brilliant No.1 - Image 2
Daniel Smith Watercolor 15 ml Tube -Jaune Brilliant No.1 - Image 3
  1. Daniel Smith Watercolor 15 ml Tube -Jaune Brilliant No.1
  2. Daniel Smith Watercolor 15 ml Tube -Jaune Brilliant No.1 - Image 2
  3. Daniel Smith Watercolor 15 ml Tube -Jaune Brilliant No.1 - Image 3

Daniel Smith Watercolor 15 ml Tube -Jaune Brilliant No.1

₹1,115.00

Daniel Smith Watercolor 15 ml Tube -Jaune Brilliant No.1

Jaune Brilliant No. 1 is indeed one of the 6 new launch colors from Daniel Smith Watercolors.

Jaune Brilliant No.1 is semi-opaque, non-staining, non-granulating, with excellent lightfastness. This light yellow is sunlight in a tube. Excellent for sky-scapes and floral/garden paintings. Perfect for finishing highlights and negative painting techniques. It is a great addition to any palette

  • Pigment: PY 65, PW 6 | Series: 1
  • Lightfastness: Excellent
  • Transparency: Semi-Opaque
  • Staining: Non-Staining
  • Granulation: Non-Granulating

Would you like to know more about the other five new colors launched by Daniel Smith Watercolors.

Jaune Brilliant No 2,Manganese Violet, Earthy Light Red ,Coral Reef, Cobalt Green Deep

1 in stock

Add to wishlist
Add to wishlist
Categories: , , , , SKU: 284600256

Description

Daniel Smith Watercolor 15 ml Tube -Jaune Brilliant No.1

DANIEL SMITH is the Innovative Manufacturer of Beautiful Watercolors for Artists Worldwide, and makes the largest range of watercolors of any manufacturer, more than 240 colors. The 240+ color collection includes the exciting PrimaTek watercolors made from minerals (like Amethyst) plus other unique colors (like Moonglow) not available elsewhere, and Luminescent Watercolors which allow artists to capture the luminescent colors that exist in nature that regular watercolors cannot capture!

Artist Feedback

“Very delicate! It remains in place when applied wet-on-dry on all paper textures, a little less on hot press paper.
It is better when it is applied very lightly; not too thick. It has a nice effect for glazes and mixes with reds and other yellows for warm tones.”
-Giovanni Balzarani

Related products