Daniel Smith’s Extra Fine Gouache is a professional artist-grade colour with an opaque, matte finish. Like their watercolours, this paint is made with the same attention to detail and high quality materials.
This range of colours offers the perfect mixing palette. Use these three colours alone to mix secondary greens, oranges and purples, then use Titanium White to adjust the shades.
Daniel Smith Extra Fine Gouache is a professional grade, artists’ gouache paint made to the same high standards as the brand’s Extra Fine Watercolour range. These paints are made using the same fine pigments and high quality gum arabic as their watercolours, but are made with a higher pigment load to deliver dense, opaque colour without the use of white or other fillers. Available in a selection of colours in 15ml tubes, or in a primary mixing set.
Prussian Blue is very dark in mass tone. When mixed with white, it’s similar to Phthalo Blue (Green Shade), though slightly greener. Prussian Blue has been on artists’ palettes for almost 300 years.
Pigment: PB 27 | Series: 1
Lightfastness: Excellent
Staining: Medium Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
This unforgettable orange is a pure, smooth, saturated addition to any palette. Capture the glory of a summer garden or the magic of a tropical sunset with this dynamic and versatile hue. Living in a luxurious state between magenta and fuchsia, Pyrrol Orange is a delicious color just begging to find its way into your rose garden. Moderately staining, this pigment allows itself to be directed in a wash without running wild. It thins to a pale fuchsia rose when diluted.
Pigment: PO 73 | Series: 2
Lightfastness: Very Good
Staining: Medium Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White. (First image)
This fire engine red is cleaner than Cadmium or Permanent Red. It’s a modern, synthetic-organic pigment. While close in value to its cousins, the Perylenes, it disperses more evenly.
Pigment: PR 254 | Series: 3
Lightfastness: Excellent
Staining: Medium Staining
Transparency: Opaque
Quantity : 15 ml
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White. (First Image)
Pyrrol Scarlet is a tomato red (warmer that Pyrrol Red) and mixes very cleanly. A modern synthetic-organic pigment that’s close in value to its Perylene cousin, it disperses more evenly.
Pigment: PR 255 | Series: 3
Lightfastness: Excellent
Staining: Medium Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White. (first Image)
Daniel Smith Gouache Quinacridone Magenta 15ml tube
In mass tone, this is a rich, deep red-violet (cooler than Quinacridone Pink) and when mixed with white, it’s a vivid violet pink. Quinacridone Magenta is vibrant and mixes very cleanly. Like all Quinacridones, it’s an extremely lightfast, organic pigment. In terms of complementary couples, Quinacridone Magenta works especially well with yellow greens. Highly durable, all the DANIEL SMITH Quinacridone colors excel in vivid clarity and intensity.
Pigment: PR 122 | Series: 2
Lightfastness: Very Good
Staining: Medium Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White. (First image)
DANIEL SMITH Gouache Quinacridone Purple 15ml tube
Discover the depth of Daniel Smith Extra Fine Gouache in Quinacridone Purple. This 15ml tube features a rich, deep purple that adds a dramatic, vibrant touch to your artwork. Its creamy texture ensures smooth application and blending.
Quinacridone Purple is luscious with a slight reddish cast that mixes beautifully. Quinacridone colors are renowned for their intensity.
Pigment: PV 55 | Series: 2
Lightfastness: Excellent
Staining: Medium Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
Raw Sienna is one of the earth pigments used by ancient man to paint on cave walls. Similar to the Yellow Ochres, but with more red tones (and less red than Burnt Sienna), it’s an extremely permanent, inorganic earth pigment of low intensity, but medium-high tinting strength. An absolute must-have for landscape painters.
Pigment: PBr 7 | Series: 1
Lightfastness: Excellent
Staining: Low Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
Raw Umber is a dark brown earth pigment that was once used by ancient man to paint on cave walls. It has a slightly greenish tint when compared with Burnt Umber.
Pigment: PBr 7 | Series: 1
Lightfastness: Excellent
Staining: Low Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
Experience Daniel Smith Extra Fine Gouache in Sap Green. This 15ml tube delivers rich, opaque color with professional-quality pigment, perfect for artists seeking exceptional results.
Dark green in mass tone, Sap Green mixes cleanly and lightens to a clear olive shade with no grayish tones.
Pigment: PO 48, PY 150, PG 7 | Series: 2
Lightfastness: Excellent
Staining: Medium Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.
Sepia was historically made from natural cuttlefish ink, but now this gray-brown pigment is chemically manufactured. Dark brown-black in mass tone, it becomes a neutral, warm gray with brown tones when mixed with white.
Pigment: PBr 7, PBk 9 | Series: 1
Lightfastness: Excellent
Staining: Low Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
A lovely clear, bright green that combines two yellow pigments and one green pigment. Enjoy its fresh, punchy quality straight from the tube or mix it with Pyrrol Orange to create a wide variety of landscape-friendly natural greens and rusty oranges.
Pigment: PPY 53, PG 36, PY 151 | Series: 3
Lightfastness: Excellent
Staining: Low Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(first Image)
