Daniel Smith’s Bloodstone Genuine Gouache provides a deep, earthy hue with rich opacity. This 15ml tube features a unique, natural texture, perfect for adding dramatic, moody tones to your artwork. Ideal for artists seeking a distinctive and versatile color.
Bloodstone Genuine is made from a mineral that’s legendary for its mystical, magical and medicinal properties. It’s an intense, velvety aubergine in mass tone that develops into a warm gray when blended. PrimaTek™ Gouache colors are made from finely-ground natural minerals that are mined from all around the world.
Pigment:Â Genuine Bloodstone | Series: 2
Lightfastness:Â Excellent
Staining:Â Non-Staining
Transparency:Â Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
Daniel Smith’s Bordeaux Gouache provides a deep, rich red with luxurious opacity. This 15ml tube offers excellent coverage and vibrant color, making it ideal for bold, dramatic pieces and elegant details. Perfect for artists seeking a sophisticated, versatile red.
Bordeaux is a velvety wine color, perfect for an al fresco dining scene or a cluster of cranberries.
Pigment:Â PV 32 | Series: 2
Lightfastness:Â Very Good
Staining:Â Medium Staining
Transparency:Â Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
Unique to DANIEL SMITH, Buff Titanium resembles the ecru shades of sand and antique lace. This single pigment color does not have the yellow tones that other neutral colors have when mixed with Titanium White.
Pigment:Â PW 6:1 | Series: 1
Lightfastness:Â Excellent
Staining:Â Non-Staining
Transparency:Â Opaque
Quantity : 15ml tube
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White. (First Image)
This rich earth pigment is a traditional palette staple for many landscape painters. It’s made by heating Raw Sienna, which is one of the original earth pigments used by ancient man (along with Ochre and Umber). This earthy, reddish-brown pigment is a traditional color used by artists in many mediums.
Pigment:Â PBr 7 | Series: 1
Lightfastness:Â Excellent
Staining:Â Non-Staining
Transparency:Â Opaque
Quantity : 15ml tube
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
A traditional painter’s color, Burnt Umber is made by heating Raw Umber, which transforms it from a dark greenish brown to a dark brown with a hint of red tones. When mixed with a bit of white, it becomes a warm, tortoise shell brown. This rich earth pigment is lightfast, low-staining and popular with artists.
Pigment:Â PBr 7 | Series: 1
Lightfastness:Â Excellent
Staining:Â Low Staining
Transparency:Â Opaque
Quantity : 15 ml tube.
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White. (First Image)
Cadmium Orange Hue is made with a mixture of modern pigments to mimic the traditional Cadmium Orange without the use of toxic cadmium. It’s so richly pigmented that it still looks very orange, even when mixed with lots of white.
Pigment:Â PY 53, PO 73, PY 83 | Series: 3
Lightfastness:Â Excellent
Staining:Â Low Staining
Transparency:Â Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
DANIEL SMITH Gouache Cadmium Red Medium Hue 15ml tube
Daniel Smith’s Cadmium Red Medium Hue Gouache offers a vibrant, opaque red ideal for striking highlights and rich details. This 15ml tube ensures excellent coverage and smooth application, making it perfect for bold, impactful artwork.
Cadmium Red Medium Hue is a strong, vibrant primary color that’s made with a mixture of modern pigments to mimic the classic Cadmium Red without the use of toxic cadmium.
Pigment:Â PY 53, PR 254 | Series: 3
Lightfastness:Â Excellent
Staining:Â Low Staining
Transparency:Â Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
DANIEL SMITH Gouache Cadmium Yellow Light Hue 15ml tube
Daniel Smith’s Cadmium Yellow Light Hue Gouache offers a vivid, opaque yellow that enhances your artwork with vibrant highlights and sunny details. This 15ml tube provides excellent coverage and smooth application, making it ideal for creating bright, impactful color.
Cadmium Yellow Light Hue is a palette staple primary, made with a mixture of modern pigments to mimic the classic Cadmium Yellow Light without the use of toxic cadmium.
Pigment:Â PY 53, PY 138, PY 3 | Series: 3
Lightfastness:Â Very Good
Staining:Â Low Staining
Transparency:Â Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
DANIEL SMITH Gouache Cadmium Yellow Medium Hue 15ml tube
Brighten your artwork with Daniel Smith’s Cadmium Yellow Medium Hue gouache. This extra-fine color delivers intense opacity and vivid, enduring brilliance. Perfect for layering or detailed work.
Cadmium Yellow Medium Hue is made with a mixture of modern pigments to mimic the classic Cadmium Yellow Medium without the use of toxic cadmium. It’s a rich, orange-leaning yellow – like a school bus or a sunflower.
Pigment:Â PY 53, PY 151, PY 83 | Series: 3
Lightfastness:Â Excellent
Staining:Â Low Staining
Transparency:Â Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
Phthalo Blue Turquoise is perfect for tropical seas, especially the deeper water near white sand beaches. It mixes beautifully with many other colors.
Pigment:Â PB 16 | Series: 2
Lightfastness:Â Excellent
Staining:Â High Staining
Transparency:Â Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
Darkest of the reds, Carmine will help you achieve clear neutrals when mixed with its complement, Phthalo Green. It’s darker and more staining than Alizarin Crimson.
Pigment:Â PR 176 | Series: 2
Lightfastness:Â Very Good
Staining:Â High Staining
Transparency:Â Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(first Image)
This green takes its cue from the conifer forests, rushing streams and alpine meadows of Washington state. As you brush it on, enjoy the rich, natural look of this highly versatile mid-range green. Straight from the tube, it’s cool, dark and mossy.
Pigment: PBr 7, PB 15 | Series: 1
Lightfastness: Excellent
Staining: Medium Staining
Transparency:Â Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White. (First Image)