DANIEL SMITH Gouache Quinacridone Purple 15ml tube
Discover the depth of Daniel Smith Extra Fine Gouache in Quinacridone Purple. This 15ml tube features a rich, deep purple that adds a dramatic, vibrant touch to your artwork. Its creamy texture ensures smooth application and blending.
Quinacridone Purple is luscious with a slight reddish cast that mixes beautifully. Quinacridone colors are renowned for their intensity.
Pigment: PV 55 | Series: 2
Lightfastness: Excellent
Staining: Medium Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
Raw Sienna is one of the earth pigments used by ancient man to paint on cave walls. Similar to the Yellow Ochres, but with more red tones (and less red than Burnt Sienna), it’s an extremely permanent, inorganic earth pigment of low intensity, but medium-high tinting strength. An absolute must-have for landscape painters.
Pigment: PBr 7 | Series: 1
Lightfastness: Excellent
Staining: Low Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
Raw Umber is a dark brown earth pigment that was once used by ancient man to paint on cave walls. It has a slightly greenish tint when compared with Burnt Umber.
Pigment: PBr 7 | Series: 1
Lightfastness: Excellent
Staining: Low Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
Experience Daniel Smith Extra Fine Gouache in Sap Green. This 15ml tube delivers rich, opaque color with professional-quality pigment, perfect for artists seeking exceptional results.
Dark green in mass tone, Sap Green mixes cleanly and lightens to a clear olive shade with no grayish tones.
Pigment: PO 48, PY 150, PG 7 | Series: 2
Lightfastness: Excellent
Staining: Medium Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.
Sepia was historically made from natural cuttlefish ink, but now this gray-brown pigment is chemically manufactured. Dark brown-black in mass tone, it becomes a neutral, warm gray with brown tones when mixed with white.
Pigment: PBr 7, PBk 9 | Series: 1
Lightfastness: Excellent
Staining: Low Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
A lovely clear, bright green that combines two yellow pigments and one green pigment. Enjoy its fresh, punchy quality straight from the tube or mix it with Pyrrol Orange to create a wide variety of landscape-friendly natural greens and rusty oranges.
Pigment: PPY 53, PG 36, PY 151 | Series: 3
Lightfastness: Excellent
Staining: Low Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(first Image)
Ultramarine Blue plots cooler and bluer than the more saturated French Ultramarine. Temperature aside, both blues have equal permanence and lightfastness. Ultramarine Blue is a historic pigment used in Egyptian tombs and was a favorite of Raphael, da Vinci, Renoir and Michelangelo.
Pigment: PB 29 | Series: 1
Lightfastness: Excellent
Staining: Medium Staining
Transparency: Opaque
Quantity : 15ml
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White. (First Image)
Daniel Smith Extra Fine Gouache in Van Dyck Brown provides professional-quality, opaque coverage. This 15ml tube is perfect for artists seeking deep, rich brown pigment.
Van Dyck Brown is a deep dark mix of siennas and umbers. It’s similar to Sepia, but darker.
Pigment: PBr 7 | Series: 1
Lightfastness: Excellent
Staining: Non-Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(first Image)
Experience Daniel Smith Extra Fine Gouache in Venetian Red. This 15ml tube provides professional-quality pigment with vibrant, opaque coverage, perfect for stunning artwork.
Venetian Red is an earthy red-brown that’s great for landscapes.
Pigment: PR 101 | Series: 1
Lightfastness: Excellent
Staining: Medium Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(first Image)
Wisteria, like the blooms of its namesake flowering vine, is a delicate red-leaning lavender. This non-staining color paints smoothly, lifts easily and is wonderful for painting orchids and other florals.
Pigment: PW 6, PR 122 | Series: 2
Lightfastness: Very Good
Staining: Non-Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
Raw Sienna is one of the earth pigments used by ancient man to paint on cave walls. Similar to the Yellow Ochres, but with more red tones (and less red than Burnt Sienna), it’s an extremely permanent, inorganic earth pigment of low intensity, but medium-high tinting strength. An absolute must-have for landscape painters.
Pigment: PY 42 | Series: 1
Lightfastness: Excellent
Staining: Non-Staining
Transparency: Opaque
Gouache swatches are painted in two sections. The top is mass tone straight from the tube and the bottom is mixed 1:1:1 with paint, water and Titanium White.(First Image)
₹4,170.00Original price was: ₹4,170.00.₹2,715.00Current price is: ₹2,715.00.
Daniel Smith Jansen Chow’s Master Artist Watercolor (Set -I) of 6 Tubes
“This set is an elegant combination of hot and cold colors. I like the warm Lemon Yellow and Pyrrol Orange, together with cool Ultramarine Blue and Quinacridone Purple blocks to form the night city. Burnt Umber shows the historical features of ancient buildings, while Alizarin Crimson expresses the enthusiasm and surprise in the city” – Jansen Chow
