The reversible Pocket Brush is a convenient addition to your brush collection for those who like to paint on the move. The reversible handle allows for a convenient storage and prevents damage to the brush. A dream for urban sketchers, and a Plein Air must-have.
We did it! New for 2021! Finally, a synthetic fibre like no other. A synthetic fibre to replicate Sable like never before. With all the qualities of natural hair but 100% synthetic. This range is so exciting for Rosemary & Co!
The Red Collection works beautifully in watercolour, oil, water-mixable oils, gouache & acrylic – infact all mediums. Ideal for artists, model painters and just about anyone look for a sable substitute. Vegan friendly and economically priced.
We hope you get the same “Red Dot” experience using this range of brushes as we did devloping and designing them. This is a big milestone in brush making for us.
The Red Dot Cats Tongue is a Short Filbert Shape. They are favoured by portrait and botanical painters alike.
We did it! New for 2021! Finally, a synthetic fibre like no other. A synthetic fibre to replicate Sable like never before. With all the qualities of natural hair but 100% synthetic. This range is so exciting for Rosemary & Co!
The Red Collection works beautifully in watercolour, oil, water-mixable oils, gouache & acrylic – infact all mediums. Ideal for artists, model painters and just about anyone look for a sable substitute. Vegan friendly and economically priced.
We hope you get the same “Red Dot” experience using this range of brushes as we did devloping and designing them. This is a big milestone in brush making for us.
The Red Dot Cats Tongue is a Short Filbert Shape. They are favoured by portrait and botanical painters alike.
We did it! New for 2021! Finally, a synthetic fibre like no other. A synthetic fibre to replicate Sable like never before. With all the qualities of natural hair but 100% synthetic. This range is so exciting for Rosemary & Co!
The Red Collection works beautifully in watercolour, oil, water-mixable oils, gouache & acrylic – infact all mediums. Ideal for artists, model painters and just about anyone look for a sable substitute. Vegan friendly and economically priced.
We hope you get the same “Red Dot” experience using this range of brushes as we did devloping and designing them. This is a big milestone in brush making for us.
The Red Dot Cats Tongue is a Short Filbert Shape. They are favoured by portrait and botanical painters alike.
Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point and thick belly.
The Series 34 is a fine mix of coarse yet soft badger hair for stippling and texture work.
A favourite for foliage and tree in watercolours, but also work well in Oils and Acrylics.
The Series 34 is a fine mix of coarse yet soft badger hair for stippling and texture work.
A favourite for foliage and tree in watercolours, but also work well in Oils and Acrylics.
ROSEMARY The “Tisch” Bristle Dagger Size 1/2″
ROSEMARY The “Tisch” Bristle Dagger Size 1/8″
A long sought solution to those unintended watercolor brush marks resulting from too much enthusiasm, haste or miscalculation.
Instructions for use:
1. Use the brush when barely damp, not wet.
2. Hold in a nearly vertical orientation and drag gently, but firmly back and forth along its’ long edge. (see photo)
3. Upon first noting the removal of paint, immediately dab the brush several times on a towel (paper, etc) and recommence “erasing”.
4. Rinse after 2 – 3 “erasures”, dab to remove excess wetness and continue.
Caution: too damp a brush and/or too vigorous “erasing” may damage the painting/paper.
For smaller areas, use the edge of the brush in a similar manner. For many smaller areas (“erase” and/or highlights), try using a Shiraz Short Flat, sizes #1 and/or #2.
A long sought solution to those unintended watercolor brush marks resulting from too much enthusiasm, haste or miscalculation.
Instructions for use:
1. Use the brush when barely damp, not wet.
2. Hold in a nearly vertical orientation and drag gently, but firmly back and forth along its’ long edge. (see photo)
3. Upon first noting the removal of paint, immediately dab the brush several times on a towel (paper, etc) and recommence “erasing”.
4. Rinse after 2 – 3 “erasures”, dab to remove excess wetness and continue.
Caution: too damp a brush and/or too vigorous “erasing” may damage the painting/paper.
For smaller areas, use the edge of the brush in a similar manner. For many smaller areas (“erase” and/or highlights), try using a Shiraz Short Flat, sizes #1 and/or #2.
Our Series 32 badger hair brushes are designed to simplify the art of painting trees and foliage; this special brush has just the right performance to deliver perfect tree foliage (also a good texture brush for shrubbery etc).
It’s amazing how quickly as a beginner you will learn to use this brush and for the advanced artists amongst us you’ll wish we had made this brush years ago.
A favourite for landscapes, tress, foiliage and shubbery watercolours, oils and acrylics.
Our Series 32 badger hair brushes are designed to simplify the art of painting trees and foliage; this special brush has just the right performance to deliver perfect tree foliage (also a good texture brush for shrubbery etc).
It’s amazing how quickly as a beginner you will learn to use this brush and for the advanced artists amongst us you’ll wish we had made this brush years ago.
A favourite for landscapes, tress, foiliage and shubbery watercolours, oils and acrylics.