Our Series 32 badger hair brushes are designed to simplify the art of painting trees and foliage; this special brush has just the right performance to deliver perfect tree foliage (also a good texture brush for shrubbery etc).
It’s amazing how quickly as a beginner you will learn to use this brush and for the advanced artists amongst us you’ll wish we had made this brush years ago.
A favourite for landscapes, tress, foiliage and shubbery watercolours, oils and acrylics.
Our Series 32 badger hair brushes are designed to simplify the art of painting trees and foliage; this special brush has just the right performance to deliver perfect tree foliage (also a good texture brush for shrubbery etc).
It’s amazing how quickly as a beginner you will learn to use this brush and for the advanced artists amongst us you’ll wish we had made this brush years ago.
A favourite for landscapes, tress, foiliage and shubbery watercolours, oils and acrylics.
Our Ultimate’ range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush. Traditionally bristle was used by artists who required a strong loaded stroke and not precision marks. If you are looking for a ‘tighter’ brush and one that retains its shape over time then select from our synthetic ranges designed to be crisp and ‘tight’ with a clean edge- for example ‘Ivory’ ‘Evergreen’ & ‘Eclipse’.
Our Ultimate’ range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush. Traditionally bristle was used by artists who required a strong loaded stroke and not precision marks. If you are looking for a ‘tighter’ brush and one that retains its shape over time then select from our synthetic ranges designed to be crisp and ‘tight’ with a clean edge- for example ‘Ivory’ ‘Evergreen’ & ‘Eclipse’.
Our Ultimate’ range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush. Traditionally bristle was used by artists who required a strong loaded stroke and not precision marks. If you are looking for a ‘tighter’ brush and one that retains its shape over time then select from our synthetic ranges designed to be crisp and ‘tight’ with a clean edge- for example ‘Ivory’ ‘Evergreen’ & ‘Eclipse’.
“I paint a wide variety of subjects that require different technical approaches, therefore, I need a wide range of brushes that will allow me to create an engaging sense of reality across many genres. Rosemary and Co make the best brushes out there. I choose these brushes for their reliability and absolute quality” Andrew Tischler, 2018.
The Ebony range are made from a blend of several natural hairs with a fantastic result for the Oil artist who wants the feel and performance………
The oval end can be used to both make sweeping strokes but also fine lines when held vertically.
The Classic Filbert is very popular with oil painters. The oval end can be used to both make sweeping strokes but also fine lines when held vertically.
