Daniel Smith | Silver Brush | Baohong | Rosemary and more
Includes 6 watercolour brushes and Brustro Watercolour paper 300gsm Assorted pack 100% cotton 14cm x 21cm
Comes in an elegant black zippered wallet, Round brushes No. 2, 6, 12. Rigger No.0, Flat No. 12 and Fan No. 6
Made of Japanese synthetic bristles which are bouncy, springy and retains its point.
Short handles made of lacquered birchwood
Nickle plated brass ferrules with double crimping
Precise points for detailed and intricate work.
Ergonomical handles.
Synthetic bristles.
Detailing brushes include: Riggers: 1, 0, 2/0, 3/0, 4/0 Rounds: 1, 0, 2/0, 3/0, 4/0 Flats: 1,0.
Includes a free brush holder
Acid free, 25 percent cotton
CP surface, ideal for water colours
Also suitable for acrylics, pen and ink, pastels etc., archival quality
Excellent price/quality ratio, paper is made in Italy
Cold Pressed 200 Gsm
Brustro Metallic Watercolours are made of mica pigments and gum arabic. 12 Richly pigmented colours with a beautiful metallic sheen.
Semi most pans which activate very easily with a wet paint brush. Works both on light and dark coloured papers.
Ideal for highlights, calligraphy, card making and all watercolour techniques. The tin box also serves as a colour mixing palette.
The set includes PS (PEARL SILVER) PG (PEARL GOLD) GD (GOLD DEEP) BS (BRONZE SHIMMER) CS (COPPER SHIMMER) SP (SHIMMERING PINK) GM (GRAPHITE METALLIC) MG (MOSS GREEN) BG (BLUE GREEN) MB (MYSTIC BLUE) SB (SAPPHIRE BLUE) AP (AMETHYST PURPLE)
Designed to reduce crazing. Dries clean, glossy & flexible.Permanent, non-yellowing and water resistant once dry.
Ideal for high gloss thick glazing and poured marbling technique.
Mix with fluid acrylics or soft body acrylic colours.
Do not mix rapidly.
Surface dry in 4 to 5 days.
Allow mix to sit for bubbles to dissipate
The Brustro Watercolour paper is mould made produced with 25% cotton without optical brighteners. The absence of acid guarantees the inalterability over time of the paper. Produced with E.C.F. pulp (Elemental Chlorine Free) and sized internally and externally, it guarantees optimal absorbance and retains it’s nature even if scratched.
Ideal for all fine art techniques both wet and dry and wet on wet.
Available in 3 surfaces: Hot pressed, Cold pressed and Rough.
This is the most versatile paper which is most ideal for watercolour, also for drawing, graphite, inks, charcoal, acrylics, tempera and gouache. It is even suitable for printmaking.
