A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more control. The Mundy Mops clean easily and will soon become a favorite to your Oil brush range.
A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more control. The Mundy Mops clean easily and will soon become a favorite to your Oil brush range.
A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more control. The Mundy Mops clean easily and will soon become a favorite to your Oil brush range.
A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more control. The Mundy Mops clean easily and will soon become a favorite to your Oil brush range.
The reversible Pocket Brush is a convenient addition to your brush collection for those who like to paint on the move. The reversible handle allows for a convenient storage and prevents damage to the brush. A dream for urban sketchers, and a Plein Air must-have.
For the artist who likes a ‘mop’ feel to a brush. Will help you loosen up whilst retaining a beautiful tapered point. These will become a favourite for watercolour, acrylic and silk painters.
Commonly called ‘Nylon’, Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. A favourite with botanical and ceramic artists. For intricate flower and petal work. Side loading and shading. Folk art and barge painters adore this brush.
Designed for oil and acrylics, yet works very well with watercolour. A blend of firmer Nylon filaments giving the strength of bristle yet delicate feel through the brush stroke. The rigger shape is similar to a round but with much longer hair, also referred to as a “script” brush.
Designed for oil and acrylics, yet works very well with watercolour. A blend of firmer Nylon filaments giving the strength of bristle yet delicate feel through the brush stroke. The rigger shape is similar to a round but with much longer hair, also referred to as a “script” brush.
Designed for oil and acrylics, yet works very well with watercolour. A blend of firmer Nylon filaments giving the strength of bristle yet delicate feel through the brush stroke. The rigger shape is similar to a round but with much longer hair, also referred to as a “script” brush.
A long sought solution to those unintended watercolor brush marks resulting from too much enthusiasm, haste or miscalculation.
Instructions for use:
1. Use the brush when barely damp, not wet.
2. Hold in a nearly vertical orientation and drag gently, but firmly back and forth along its’ long edge. (see photo)
3. Upon first noting the removal of paint, immediately dab the brush several times on a towel (paper, etc) and recommence “erasing”.
4. Rinse after 2 – 3 “erasures”, dab to remove excess wetness and continue.
Caution: too damp a brush and/or too vigorous “erasing” may damage the painting/paper.
For smaller areas, use the edge of the brush in a similar manner. For many smaller areas (“erase” and/or highlights), try using a Shiraz Short Flat, sizes #1 and/or #2.