Add a touch of brilliance to your paintings with Daniel Smith’s Extra Fine Watercolor in Green Gold. This 15ml tube features a vibrant green with a unique golden sheen that creates a luminous effect in your artwork. The high-quality pigments ensure smooth application and rich color, making it perfect for adding striking highlights and dynamic elements to your compositions. Ideal for capturing the shimmer of foliage, creating vibrant backgrounds, or enhancing details with a golden touch.
Features:
Color: Vibrant green with a golden sheen.
Size: 15ml tube, versatile for both detailed work and broad applications.
Quality: Extra fine pigments provide smooth application and radiant color.
Application: Perfect for adding luminous highlights, dynamic effects, and enhancing natural scenes.
Pigment: PY 150, PY 3, PG 36 | Series: 2 Lightfastness: II – Very Good Transparency: Transparent Staining: 3-Medium Staining Granulation: Non-Granulating
Green Gold is a distinctive and versatile color that adds a unique and radiant quality to your artwork. Whether used to capture the glow of sunlight on leaves or to create eye-catching highlights, this watercolor brings a touch of elegance and vibrancy to your artistic creations.
Daniel Smith Watercolor Ground Iridescent Gold 4oz
The beauty of watercolor is transparency – it gives paintings a distinctive clarity, luminosity and realism. With DANIEL SMITH Watercolor Ground, you can get this unique visual quality on virtually any surface – wood, metal, ceramic, plastic, canvas, plaster, glass, stone and more. Adding a layer of ground gives these surfaces a light, cottony texture that looks and feels similar to cold press watercolor paper. The beautiful medium of watercolor has been confined to a paper-behind-glass niche for too long!
This luminous gold is semi-transparent, so the original surface color and/or pattern will slightly show through the sheen. For a deeper gold, apply 2 to 3 thin coats. Add a glaze of color when painting on top with transparent and semi-transparent watercolors. This ground also works well for adding special iridescent effects to specific areas you want to highlight.
size 4oz / 118ml
Archival and acid-free
Excellent lightfastness
Holds up to vigorous scrubbing without any damage to the surface
Heavily pigmented colors – one coat is usually enough
Thick consistency that’s easy to apply with a brush
Perfect for mixed media work as well as watercolor painting
The beauty of watercolor is transparency – it gives paintings a distinctive clarity, luminosity and realism. With DANIEL SMITH Watercolor Ground, you can get this unique visual quality on virtually any surface – wood, metal, ceramic, plastic, canvas, plaster, glass, stone and more. Adding a layer of ground gives these surfaces a light, cottony texture that looks and feels similar to cold press watercolor paper. The beautiful medium of watercolor has been confined to a paper-behind-glass niche for too long!
Give your work a cozy, warm undertone – perfect for soft pastels and graphite, too.
Size : 4oz /118ml
Archival and acid-free
Excellent lightfastness
Holds up to vigorous scrubbing without any damage to the surface
Heavily pigmented colors – one coat is usually enough
Thick consistency that’s easy to apply with a brush
Perfect for mixed media work as well as watercolor painting
Daniel Smith Watercolor Ground Pearlescent White 4oz
The beauty of watercolor is transparency – it gives paintings a distinctive clarity, luminosity and realism. With DANIEL SMITH Watercolor Ground, you can get this unique visual quality on virtually any surface – wood, metal, ceramic, plastic, canvas, plaster, glass, stone and more. Adding a layer of ground gives these surfaces a light, cottony texture that looks and feels similar to cold press watercolor paper. The beautiful medium of watercolor has been confined to a paper-behind-glass niche for too long!
This color is semi-transparent, so the original surface color and/or pattern will slightly show through the sheen. Apply 2 to 3 thin coats for a deeper shine. Add a glaze of color when painting on top with transparent and semi-transparent watercolors. This ground also works well for adding special pearlescent effects to specific areas you want to highlight.
Size : 4oz / 118ml
Archival and acid-free
Excellent lightfastness
Holds up to vigorous scrubbing without any damage to the surface
Heavily pigmented colors – one coat is usually enough
Thick consistency that’s easy to apply with a brush
Perfect for mixed media work as well as watercolor painting
The beauty of watercolor is transparency – it gives paintings a distinctive clarity, luminosity and realism. With DANIEL SMITH Watercolor Ground, you can get this unique visual quality on virtually any surface – wood, metal, ceramic, plastic, canvas, plaster, glass, stone and more. Adding a layer of ground gives these surfaces a light, cottony texture that looks and feels similar to cold press watercolor paper. The beautiful medium of watercolor has been confined to a paper-behind-glass niche for too long!
Paint your colors on bright white no matter what color the original surface is. This ground also acts like a “white out” to rescue a watercolor painting by covering mistakes or other unwanted areas and starting over. For best results when repairing, blend some ground in a small dish with up to 10% water and use a soft brush to blend the edges.
Size : 4oz/118ml
Archival and acid-free
Excellent lightfastness
Holds up to vigorous scrubbing without any damage to the surface
Heavily pigmented colors – one coat is usually enough
Thick consistency that’s easy to apply with a brush
Perfect for mixed media work as well as watercolor painting
The beauty of watercolor is transparency – it gives paintings a distinctive clarity, luminosity and realism. With DANIEL SMITH Watercolor Ground, you can get this unique visual quality on virtually any surface – wood, metal, ceramic, plastic, canvas, plaster, glass, stone and more. Adding a layer of ground gives these surfaces a light, cottony texture that looks and feels similar to cold press watercolor paper. The beautiful medium of watercolor has been confined to a paper-behind-glass niche for too long!
This ground allows the surface of your substrate, like a wood grain or decorative paper, to show through when you paint.
Size : 4oz/ 118ml
Archival and acid-free
Excellent lightfastness
Holds up to vigorous scrubbing without any damage to the surface
Heavily pigmented colors – one coat is usually enough
Thick consistency that’s easy to apply with a brush
Perfect for mixed media work as well as watercolor painting
Brighten your palette with Daniel Smith’s Lavender watercolor. Known for its soft, cool purple hue and beautiful granulation, this half pan is perfect for creating delicate, ethereal effects.
DANIEL SMITH Lavender is a beautiful periwinkle blue, and quite different from our other blues. This semi-transparent lavender blue has beautiful granulation, and lifts easily. In addition to being an excellent floral color, our Lavender suggests certain shades of faded denim.
Daniel Smith uses the exact same formula for both tube and hand poured pan colors.
Re-wets quickly and easily.
Perfect for portability and easy use, ideal for travel and plein air painting.
Enhance your artwork with the intense and granulating Lunar Black watercolor by Daniel Smith. This half pan offers a deep black with unique texture, perfect for creating dramatic, bold effects.
Imagine a transparent black with an expansive value range and pigment particles that react like magnetic shavings attracting and repelling each other. Unique pigment properties make Lunar Black a radically reticulating color. When dry, a Lunar Black wash resembles a marbled moonscape. This mottled stony texture can be successfully glazed. You can even gently paint into a wet-to-damp Lunar Black, dropping into the watery pigment, virtually any combination of favorites. Lunar Black is a wonderful mixer adding exciting black granulation to the mix! Lunar Black is an inorganic neutral black watercolor pigment and a DANIEL SMITH exclusive. Think Black Magic-and re-think black.
Daniel Smith uses the exact same formula for both tube and hand poured pan colors.
Re-wets quickly and easily.
Perfect for portability and easy use, ideal for travel and plein air painting.
DANIEL SMITH Watercolor Half Pans Quinacridone Gold
Brighten your palette with Daniel Smith’s Quinacridone Gold. This half pan offers a radiant, warm gold with outstanding lightfastness and versatile mixing possibilities.
Everyone’s favorite, Quinacridone Gold replaces Raw Sienna and adds versatility with its glazing and mixing capabilities. It is an excellent low-staining golden yellow pigment that can enhance any mixture. Highly durable and extremely transparent, all the DANIEL SMITH Quinacridone colors excel in vivid clarity and intensity.
When the last batch of single pigment Quinacridone Gold was produced (the manufacturer of PO 49 had stopped making this pigment and allowed us to purchase all their remaining available stock, which lasted 17 years), we developed this new blend of PO 48 and PY 150 pigments. As you can see by the blending comparison below, it’s a gorgeous match!
Daniel Smith uses the exact same formula for both tube and hand poured pan colors.
Re-wets quickly and easily.
Perfect for portability and easy use, ideal for travel and plein air painting.
Quantity : 1.8 ml
Made in USA
Pigment: PO 48; PY 150 | Series: 2 Lightfastness: I – Excellent Transparency: Transparent Staining: 2-Low Staining Granulation: Granulating
DANIEL SMITH Watercolor Half Pans Quinacridone Rose
Brighten your palette with Daniel Smith’s Quinacridone Rose. This half pan provides a vibrant, transparent pink with superb lightfastness and versatile mixing capabilities.
Quinacridone Rose, with its red-violet color, lends itself to fabulous purples. Try with Indigo for deep dusty purples, or Indanthrone Blue for rich, clear purples. Quinacridone Rose can be mixed with Quinacridone Sienna or Burnt Orange in dilute wash states to create fleshtones or convincing sunsets. Highly durable and extremely transparent, all the DANIEL SMITH Quinacridone colors excel in vivid clarity and intensity.
Daniel Smith uses the exact same formula for both tube and hand poured pan colors.
Re-wets quickly and easily.
Perfect for portability and easy use, ideal for travel and plein air painting.
Add natural depth to your palette with Daniel Smith’s Sap Green. This half pan delivers a rich, deep green with outstanding lightfastness and versatile blending capabilities.
DANIEL SMITH’s Sap Green is wonderful – the hue we love with the permanency we need. This non-fugitive formulation creates deep forest shadow-green mixed with French Ultramarine and mossy golden-greens and green-browns when mixed with Burnt Sienna or Quinacridone Sienna or Burnt Orange. Sap Green mixes well with most pigments and leaves a stained residue when lifted. In the French Ultramarine or Quinacridone mixtures mentioned above, squeegee or knife areas to reveal the Sap Green stain and to create blades of spring-shiny grasses within deeper or mossy passages.
Daniel Smith uses the exact same formula for both tube and hand poured pan colors.
Re-wets quickly and easily.
Perfect for portability and easy use, ideal for travel and plein air painting.
DANIEL SMITH Watercolor Half Pans Ultramarine Blue
Add vibrancy to your palette with Daniel Smith’s Ultramarine Blue. This half pan delivers a classic, rich blue with superb lightfastness and versatile blending capabilities for stunning, deep tones.
Ultramarine Blue plots cooler and bluer than the more saturated French Ultramarine. Temperature aside, both blues have equal permanence, lightfastness and transparency. Ultramarine Blue is slightly less granular in concentrated washes. For less saturation, sedimentation and cost, use Ultramarine Blue straight, for vibrant crayon-like color or mixed with a cool red for dark, effective neutrals.
Ultramarine Blue and French Ultramarine both contain pigment PB29, but Ultramarine has a smaller pigment particle size and is slightly greener and cooler than French Ultramarine, which has a larger pigment particle size and is slightly redder and warmer.
Daniel Smith uses the exact same formula for both tube and hand poured pan colors.
Re-wets quickly and easily.
Perfect for portability and easy use, ideal for travel and plein air painting.
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