ASTM light fastness rating excellent
Transparent
Artist quality
Uniform drying time and surface appearance
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Yellow Ochre Light – Yellow Ochre is part of the Ochre family of pigments which are some of the earliest known earth pigments used by ancient man. Yellow Ochre has slightly more golden tones than Yellow Ochre and is transparent with excellent light fastness.
ASTM light fastness rating excellent
Semi-Transparent
Artist quality
Uniform drying time and surface appearance
Luminescent Oil Colors by Daniel Smith simulate a glittery surface or the luster of mother-of-pearl. They’re made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Luminescents add intriguing complexity and visual depth to your artwork, along with a consistent all-over gleam or effect to color.
Iridescent Electric Blue – Iridescent Electric Blue is similar to a rich, bright, Mediterranean Blue with an all-over gleam that adds a patina of iridescent shine. Use Iridescent Electric Blue either alone or mix with regular oils to add a special gleam or effect to a color that you can’t achieve with regular oils.
Daniel Smith Original Oil Color, Burnt Sienna (PBr 7), is made by heating Raw Sienna which is one of the original earth pigments used by ancient man along with Ochre and Umber. This earthy reddish brown pigment is a traditional color used by artists in many mediums.
introduced in 1989, Daniel Smith Original Oils shows the results of years of development. Their intent was to offer a game-changing paint with remarkable color strength, reliable lightfastness and consistent texture. Over the years Daniel Smith expanded the line to include a palette of 170 colors, many of which are unusual and unique to Daniel Smith.
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Burnt Sienna – Burnt Sienna is made by heating Raw Sienna which is one of the original earth pigments used by ancient man along with Ochre and Umber. This earthy reddish brown pigment is a traditional color used by artists in many mediums.
A semi-transparent color, Cerulean Blue Chromium in mass tone, is a warm blue and becomes sky blue when mixed with white.
Daniel Smith Oil Paints are made from a range of vibrant, finely-gound pigments and a high-grade alkali-refined linseed oil. This is a 37ml tube of Cerulean Blue Chromium (PB 36, Series 3), a warm blue which mixes to sky blue with white.
Lightfastness: III – Excellent
Transparency: Semi-Transparent
When you buy our professional quality Original Oils, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. For more than 20 years, we’ve been innovators in pigment selection and formulation, and we still make and package each batch by hand, with the utmost integrity and attention to detail. Choose from a palette of 182 colors, many of which are unusual and unique to DANIEL SMITH.
Ultramarine Blue Deep is transparent and is very similar to French Ultramarine which is semi-transparent and a touch warmer.
Lightfastness: I – Excellent
Transparency: Transparent
Daniel Smith Original Oil Color, French Ultramarine, is a semi-transparent, intense blue, and nearly black in mass tone. French Ultramarine is a classic blue and is great to mix with other colors. When mixed with white this oil paint creates a deep vaulted sky blue.
If you love the feel, control, and rich appearance of classic oil paints, Vibrant, highly pigmented colors offer outstanding color strength, even when mixed with Titanium White. All colors offer uniform drying times, buttery consistency, excellent brushing, and a beautiful surface appearance.
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Indian Red – Indian Red is a rich chestnut reddish brown, perfect for brick.
ASTM light fastness rating excellent
Opaque
Artist quality
Uniform drying time and surface appearance
Ivory Black is a semi-transparent warm deep black and is also one of the first pigments used by ancient man made by charring waste ivory (ivory is no longer used) or bone.
Lightfastness: I – Excellent
Transparency: Semi-Transparent
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Ivory Black – Ivory Black is a semi-transparent warm deep black. Ivory Black is one of the first pigments used by ancient man and was made by charring waste ivory or bone.
Daniel Smith Original Oil Color, Lamp Black, is a cool velvety black and is one of the most intense of blacks.
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Lamp Black – Lamp Black is a cool velvety black and is one of the most intense of blacks.
Color, durability and lightfastness are the distinguishing features of Daniel Smith’s original oil paints. The paints are tested by placing the sample in a xenon meter for 10 days, corresponding to 100 years of sunlight.
Daniel Smith’s oil paints range includes historical colours, luminescence, and modern quinacridones. Most of the paints are made from individual pigments.
Luminescent colours are shown on a white and black background.
Regular colours – undiluted paint / paint diluted on watercolor paper
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Phthalo Blue (Red Shade) – Phthalo Blue (Red Shade) is dark in mass tone and very transparent with strong tinting power for mixing. A real workhorse color for your palette, Phthalo Blue (Red Shade) is slightly cooler than Phthalo Blue (Green Shade).
Opaque Titanium White is a neutral bright white, brighter than Zinc or Lead White with excellent covering ability.
Light fastness: I – Excellent
Transparency: Opaque
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Titanium White – Titanium White is a neutral bright white that is brighter than Zinc or Lead White, with excellent covering ability.
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Zinc White – Zinc White is a very clean white to mix with oil paints and is slower drying than other whites.
Daniel Smith Oil Paints are made from a range of vibrant, finely-gound pigments and a high-grade alkali-refined linseed oil. This is a 37ml tube of Zinc White (PW 4, Series 1), a very clean mixing white which is slower drying than other whites.
Lightfastness: III – Excellent
Transparency: Transparent
