Commonly called ‘Nylon’, Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. Nice chisel edge. All mediums. Good wash brush. Ideal for varnish, decoupage, glazing etc. Fashioned on a “beaver tail” handle.
Commonly called ‘Nylon’, Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. A favourite with botanical and ceramic artists. For intricate flower and petal work. Side loading and shading. Folk art and barge painters adore this brush.
The Series 34 is a fine mix of coarse yet soft badger hair for stippling and texture work.
A favourite for foliage and tree in watercolours, but also work well in Oils and Acrylics.
We did it! New for 2021! Finally, a synthetic fibre like no other. A synthetic fibre to replicate Sable like never before. With all the qualities of natural hair but 100% synthetic. This range is so exciting for Rosemary & Co!
The Red Collection works beautifully in watercolour, oil, water-mixable oils, gouache & acrylic – infact all mediums. Ideal for artists, model painters and just about anyone look for a sable substitute. Vegan friendly and economically priced.
We hope you get the same “Red Dot” experience using this range of brushes as we did devloping and designing them. This is a big milestone in brush making for us.
Share our excitement and enjoy The Red Dot Collection.
We did it! New for 2021! Finally, a synthetic fibre like no other. A synthetic fibre to replicate Sable like never before. With all the qualities of natural hair but 100% synthetic. This range is so exciting for Rosemary & Co!
The Red Collection works beautifully in watercolour, oil, water-mixable oils, gouache & acrylic – infact all mediums. Ideal for artists, model painters and just about anyone look for a sable substitute. Vegan friendly and economically priced.
We hope you get the same “Red Dot” experience using this range of brushes as we did devloping and designing them. This is a big milestone in brush making for us.
Share our excitement and enjoy The Red Dot Collection.
A long sought solution to those unintended watercolor brush marks resulting from too much enthusiasm, haste or miscalculation.
Instructions for use:
1. Use the brush when barely damp, not wet.
2. Hold in a nearly vertical orientation and drag gently, but firmly back and forth along its’ long edge. (see photo)
3. Upon first noting the removal of paint, immediately dab the brush several times on a towel (paper, etc) and recommence “erasing”.
4. Rinse after 2 – 3 “erasures”, dab to remove excess wetness and continue.
Caution: too damp a brush and/or too vigorous “erasing” may damage the painting/paper.
For smaller areas, use the edge of the brush in a similar manner. For many smaller areas (“erase” and/or highlights), try using a Shiraz Short Flat, sizes #1 and/or #2.
Our Series 32 badger hair brushes are designed to simplify the art of painting trees and foliage; this special brush has just the right performance to deliver perfect tree foliage (also a good texture brush for shrubbery etc).
It’s amazing how quickly as a beginner you will learn to use this brush and for the advanced artists amongst us you’ll wish we had made this brush years ago.
A favourite for landscapes, tress, foiliage and shubbery watercolours, oils and acrylics.
Our Series 32 badger hair brushes are designed to simplify the art of painting trees and foliage; this special brush has just the right performance to deliver perfect tree foliage (also a good texture brush for shrubbery etc).
It’s amazing how quickly as a beginner you will learn to use this brush and for the advanced artists amongst us you’ll wish we had made this brush years ago.
A favourite for landscapes, tress, foiliage and shubbery watercolours, oils and acrylics.
Our Series 32 badger hair brushes are designed to simplify the art of painting trees and foliage; this special brush has just the right performance to deliver perfect tree foliage (also a good texture brush for shrubbery etc).
It’s amazing how quickly as a beginner you will learn to use this brush and for the advanced artists amongst us you’ll wish we had made this brush years ago.
A favourite for landscapes, tress, foiliage and shubbery watercolours, oils and acrylics.
2400S Pointed Round – Lines, dots, dashes, fine detail | Sizes: 12/0
2400S Pointed Round – Lines, dots, dashes, fine detail | Sizes: 20/0