Ultramarine Blue Deep is transparent and is very similar to French Ultramarine which is semi-transparent and a touch warmer.
Lightfastness: I – Excellent
Transparency: Transparent
Daniel Smith Original Oil Color, French Ultramarine, is a semi-transparent, intense blue, and nearly black in mass tone. French Ultramarine is a classic blue and is great to mix with other colors. When mixed with white this oil paint creates a deep vaulted sky blue.
If you love the feel, control, and rich appearance of classic oil paints, Vibrant, highly pigmented colors offer outstanding color strength, even when mixed with Titanium White. All colors offer uniform drying times, buttery consistency, excellent brushing, and a beautiful surface appearance.
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Indian Red – Indian Red is a rich chestnut reddish brown, perfect for brick.
ASTM light fastness rating excellent
Opaque
Artist quality
Uniform drying time and surface appearance
Ivory Black is a semi-transparent warm deep black and is also one of the first pigments used by ancient man made by charring waste ivory (ivory is no longer used) or bone.
Lightfastness: I – Excellent
Transparency: Semi-Transparent
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Ivory Black – Ivory Black is a semi-transparent warm deep black. Ivory Black is one of the first pigments used by ancient man and was made by charring waste ivory or bone.
Daniel Smith Original Oil Color, Lamp Black, is a cool velvety black and is one of the most intense of blacks.
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Lamp Black – Lamp Black is a cool velvety black and is one of the most intense of blacks.
Color, durability and lightfastness are the distinguishing features of Daniel Smith’s original oil paints. The paints are tested by placing the sample in a xenon meter for 10 days, corresponding to 100 years of sunlight.
Daniel Smith’s oil paints range includes historical colours, luminescence, and modern quinacridones. Most of the paints are made from individual pigments.
Luminescent colours are shown on a white and black background.
Regular colours – undiluted paint / paint diluted on watercolor paper
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Phthalo Blue (Red Shade) – Phthalo Blue (Red Shade) is dark in mass tone and very transparent with strong tinting power for mixing. A real workhorse color for your palette, Phthalo Blue (Red Shade) is slightly cooler than Phthalo Blue (Green Shade).
Opaque Titanium White is a neutral bright white, brighter than Zinc or Lead White with excellent covering ability.
Light fastness: I – Excellent
Transparency: Opaque
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Titanium White – Titanium White is a neutral bright white that is brighter than Zinc or Lead White, with excellent covering ability.
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Zinc White – Zinc White is a very clean white to mix with oil paints and is slower drying than other whites.
Daniel Smith Oil Paints are made from a range of vibrant, finely-gound pigments and a high-grade alkali-refined linseed oil. This is a 37ml tube of Zinc White (PW 4, Series 1), a very clean mixing white which is slower drying than other whites.
Lightfastness: III – Excellent
Transparency: Transparent
Daniel Smith Oil Paints are made from a range of vibrant, finely-gound pigments and a high-grade alkali-refined linseed oil. This is a 37ml tube of Phthalo Turquoise (PB 15, PG 36, Series 2). This blue-green, peacock colour is cooler than Cobalt Turquoise.
Light fastness: III – Excellent
Transparency: Transparent
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Phthalo Turquoise – Phthalo Turquoise is dark in mass tone, transparent and as with all Phthalo colors has strong tinting power. This blue-green, peacock color is cooler than Cobalt Turquoise.
Daniel Smith Oil Paints are made from a range of vibrant, finely-gound pigments and a high-grade alkali-refined linseed oil. This is a 37ml tube of Pyrrol Orange (PO 73, Series 5), a delicious red just begging to find its way into your rose garden.
Light fastness: III – Excellent
Transparency: Opaque
When you buy professional quality Daniel Smith Original Oil Colors, you get exceptionally strong pigmentation, uniform buttery consistency and excellent value. Innovators in pigment selection and formulation, Daniel Smith still makes and packages each batch by hand with the utmost integrity and attention to detail.
Pyrrol Orange – Pyrrol Orange is living in a luxurious state between magenta and fuchsia. Pyrrol Orange is a delicious red just begging to find its way into your rose garden. Moderately staining and semi-transparent, it allows itself to be directed in a wash without running wild. Pyrrol Orange blends to an earthier rose when mixed with English Red Ochre and thins to a pale fuchsia rose when diluted.
DANIEL SMITH is the Innovative Manufacturer of Beautiful Watercolors for Artists Worldwide, and makes the largest range of watercolors of any manufacturer, more than 240 colors. The 240+ color collection includes the exciting PrimaTek watercolors made from minerals (like Amethyst) plus other unique colors (like Moonglow) not available elsewhere, and Luminescent Watercolors which allow artists to capture the luminescent colors that exist in nature that regular watercolors cannot capture!
DANIEL SMITH has acquired a unique supply of the precious mineral Amazonite from Brazil. It’s a strong pure color that is completely transparent, non-staining and lifts easily for mazimum versatility. Gorgeous by itself, Amazonite Genuine is an especially beautiful mixer with reds making gorgeous violets! Natural Amazonite Genuine provides all the magic of the hills and forests of Brazil. This lovely teal shade of feldspar microcline, a precious mineral, was named for the Amazon River and was used in ancient times as war paint by fierce female warriors. In addition, legends state that when you wear a piece of Amazonite you will harmonize your soul and be attuned to the spiritual dimension. Small carvings of Amazonite were tucked into a baby’s bunting to sooth and pacify. A shared piece of this lovely teal mineral was believed to enhance and further unite the union of soul mates.
Excellent Lightfastness, Transparent, Non-granulating, Non-staining
DANIEL SMITH is the Innovative Manufacturer of Beautiful Watercolors for Artists Worldwide, and makes the largest range of watercolors of any manufacturer, more than 240 colors. The 240+ color collection includes the exciting PrimaTek watercolors made from minerals (like Amethyst) plus other unique colors (like Moonglow) not available elsewhere, and Luminescent Watercolors which allow artists to capture the luminescent colors that exist in nature that regular watercolors cannot capture!
A deep, transparent orange. In a wash, it’s a light peach tint and transparent at full strength, it moves to a deep, red-orange lipstick color with all the pigment strength, DANIEL SMITH paints are famous for. It’s absolutely beautiful!
Excellent Lightfastness, Transparent, Non-granulating, Low staining
DANIEL SMITH is the Innovative Manufacturer of Beautiful Watercolors for Artists Worldwide, and makes the largest range of watercolors of any manufacturer, more than 240 colors. The 240+ color collection includes the exciting PrimaTek watercolors made from minerals (like Amethyst) plus other unique colors (like Moonglow) not available elsewhere, and Luminescent Watercolors which allow artists to capture the luminescent colors that exist in nature that regular watercolors cannot capture!
Spatter or drop a brushload of Buff Titanium into a moist wash and enjoy the pigment displacement, it is especially effective used that way to make clouds in the sky. Unique to DANIEL SMITH, Buff Titanium resembles the ecru shades of sand and antique lace and simulates the porous texture of an eggshell. It is a most welcome neutral, with its’ semi-transparent to opaque, non-staining properties. Pre-mix Buff Titanium with Quinacridone Rose or Perinone Orange for subtle hues and matte surfaces ideal for the velvety petals of your favorite flowers. Mix with Indigo or Van Dyke Brown to create slate-colored shadows and soft feathers. Glaze a dried landscape with a misty, atmospheric mood.
Excellent Lightfastness, Semi-transparent, Granulating, Non-staining
