We did it! New for 2021! Finally, a synthetic fibre like no other. A synthetic fibre to replicate Sable like never before. With all the qualities of natural hair but 100% synthetic. This range is so exciting for Rosemary & Co!
The Red Collection works beautifully in watercolour, oil, water-mixable oils, gouache & acrylic – infact all mediums. Ideal for artists, model painters and just about anyone look for a sable substitute. Vegan friendly and economically priced.
We hope you get the same “Red Dot” experience using this range of brushes as we did devloping and designing them. This is a big milestone in brush making for us.
Share our excitement and enjoy The Red Dot Collection.
We did it! New for 2021! Finally, a synthetic fibre like no other. A synthetic fibre to replicate Sable like never before. With all the qualities of natural hair but 100% synthetic. This range is so exciting for Rosemary & Co!
The Red Collection works beautifully in watercolour, oil, water-mixable oils, gouache & acrylic – infact all mediums. Ideal for artists, model painters and just about anyone look for a sable substitute. Vegan friendly and economically priced.
We hope you get the same “Red Dot” experience using this range of brushes as we did devloping and designing them. This is a big milestone in brush making for us.
Share our excitement and enjoy The Red Dot Collection.
We did it! New for 2021! Finally, a synthetic fibre like no other. A synthetic fibre to replicate Sable like never before. With all the qualities of natural hair but 100% synthetic. This range is so exciting for Rosemary & Co!
The Red Collection works beautifully in watercolour, oil, water-mixable oils, gouache & acrylic – infact all mediums. Ideal for artists, model painters and just about anyone look for a sable substitute. Vegan friendly and economically priced.
We hope you get the same “Red Dot” experience using this range of brushes as we did devloping and designing them. This is a big milestone in brush making for us.
Share our excitement and enjoy The Red Dot Collection.
A long sought solution to those unintended watercolor brush marks resulting from too much enthusiasm, haste or miscalculation.
Instructions for use:
1. Use the brush when barely damp, not wet.
2. Hold in a nearly vertical orientation and drag gently, but firmly back and forth along its’ long edge. (see photo)
3. Upon first noting the removal of paint, immediately dab the brush several times on a towel (paper, etc) and recommence “erasing”.
4. Rinse after 2 – 3 “erasures”, dab to remove excess wetness and continue.
Caution: too damp a brush and/or too vigorous “erasing” may damage the painting/paper.
For smaller areas, use the edge of the brush in a similar manner. For many smaller areas (“erase” and/or highlights), try using a Shiraz Short Flat, sizes #1 and/or #2.
Our Series 32 badger hair brushes are designed to simplify the art of painting trees and foliage; this special brush has just the right performance to deliver perfect tree foliage (also a good texture brush for shrubbery etc).
It’s amazing how quickly as a beginner you will learn to use this brush and for the advanced artists amongst us you’ll wish we had made this brush years ago.
A favourite for landscapes, tress, foiliage and shubbery watercolours, oils and acrylics.
Our Ultimate’ range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush. Traditionally bristle was used by artists who required a strong loaded stroke and not precision marks. If you are looking for a ‘tighter’ brush and one that retains its shape over time then select from our synthetic ranges designed to be crisp and ‘tight’ with a clean edge- for example ‘Ivory’ ‘Evergreen’ & ‘Eclipse’.
Our Ultimate’ range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush. Traditionally bristle was used by artists who required a strong loaded stroke and not precision marks. If you are looking for a ‘tighter’ brush and one that retains its shape over time then select from our synthetic ranges designed to be crisp and ‘tight’ with a clean edge- for example ‘Ivory’ ‘Evergreen’ & ‘Eclipse’.
Ready to use liquid watercolor
For diverse creative applications both at home and at school
Eyedropper pipette attached to the lid
Good adhesion to water color and drawing paper and board
Lemon Yellow, Magenta, Sky blue Cyan, Green, Black, Grey, Light Orange, Vermillion, Ultramarine Violet and Sepia.
Saunders Waterford High White 300gsm 310 x 230 mm (12 “x 9”) 20 Sheets Rough
Made in the Englang, this premium quality, 100% rag (cotton) Paper Promises To Deliver The Best Results Every Time.
The high white is brighter than other papers, enhancing the vibrancy of your artwork.
This paper is acid free, Rough surface and colour stable.
Each block consists of 20 sheets of 300gsm (140lb) watercolour paper and is glued on four edges to eliminate the need for stretching and avoids cockling.
‘Size = 12 “x 9” (310 x 230 mm)
Out of stock
